{"id":483,"date":"2012-08-31T11:54:09","date_gmt":"2012-08-31T11:54:09","guid":{"rendered":"http:\/\/blog.enescu-philharmonic.ro\/?p=483"},"modified":"2013-03-28T09:40:32","modified_gmt":"2013-03-28T07:40:32","slug":"un-trio-performant","status":"publish","type":"post","link":"https:\/\/fundatiaenescu.ro\/ro\/un-trio-performant\/","title":{"rendered":"Un trio performant"},"content":{"rendered":"<p style=\"text-align: justify;\">Trebuie s\u0103 recunosc faptul c\u0103, la Ateneu, am ascultat pentru prima oar\u0103 Trio \u201ePro Musica\u201c, alc\u0103tuit \u00eens\u0103 din instrumenti\u015fti binecunoscu\u0163i \u015fi aprecia\u0163i de public, \u00eencep\u00e2nd cu reputatul pianist\u00a0<strong>Viniciu Moroianu<\/strong>, al c\u0103rui rafinament \u00een t\u0103lm\u0103cirea muzicii impresioniste s-a reliefat \u00eenc\u0103 o dat\u0103 \u00een interpretarea ciclului\u00a0<em>Estampes<\/em>, dar \u015fi, \u00een compania clarinetistului\u00a0<strong>Cristian Manca\u015f<\/strong>, \u00een\u00a0<em>Rapsodia<\/em>\u00a0nr. 1, apoi a violoncelistului\u00a0<strong>Dan Cavassi<\/strong>, \u00een\u00a0<em>Sonata<\/em>\u00a0de Debussy, cei doi membri de marc\u0103 ai Filarmonicii bucure\u015ftene demonstr\u00e2nd, la r\u00e2ndul lor, nu doar prin sunetul rotund \u015fi tehnica riguroas\u0103, ci mai ales prin maniera de a c\u00e2nta, dorin\u0163a \u015fi disponibilitatea de aface muzic\u0103 \u00een cel mai bun sens al cuv\u00e2ntului.<\/p>\n<p style=\"text-align: justify;\">\u00a0 \u00a0Cei trei instrumenti\u015fti au format, \u00een 2010, un ansamblu \u00eentr-o formul\u0103 mai pu\u0163in \u00eent\u00e2lnit\u0103, dar care le-a permis s\u0103 abordeze, acum, \u015fi opusuri prea pu\u0163in cunoscute la noi \u2013\u00a0<em>Trio patetic<\/em>\u00a0de Glinka \u015fi\u00a0<em>Trei piese pentru trio\u00a0<\/em>de Bruch \u2013, cuceritoare prin frumuse\u0163ea \u015fi farmecul lor, p\u0103str\u00e2nd \u00eens\u0103 o tent\u0103 u\u015for nostalgic\u0103, altern\u00e2nd cu\u00a0secven\u0163e virtuoze, deosebit de bine \u201ecombinate\u201c cu lucr\u0103rile din prima parte, dominantele serii fiind astfel transparen\u0163a, linia ampl\u0103, introspec\u0163ia \u015fi fine\u0163ea.<\/p>\n<div style=\"text-align: justify;\">\u00a0 \u00a0Aplauzele entuziaste ale celor afla\u0163i \u00een sal\u0103 au fost r\u0103spl\u0103tite cu un bis care a prelungit acea atmosfer\u0103 poetic\u0103, \u00een interpretarea unor muzicieni care, pe l\u00e2ng\u0103 performan\u0163a tehnic\u0103 \u015fi \u015ftiin\u0163a muzicii camerale, au convins c\u0103 se implic\u0103 \u00een ceea ce c\u00e2nt\u0103 cu o pl\u0103cere deosebit\u0103, determinat\u0103 \u015fi de posibilitatea de a aborda un repertoriu aparte \u015fi, cu siguran\u0163\u0103, de bucuria de a ie\u015fi din canoanele zilnice, de a face \u201ealtceva\u201c\u2026 Un trio pe care sper s\u0103-l reascult c\u00e2t de cur\u00e2nd, pentru c\u0103\u2026 merit\u0103!<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div>\n<p style=\"text-align: justify;\">Autor: <a href=\"http:\/\/www.viata-medicala.ro\/Un-trio-performant.html*articleID_5434-dArt.html\" target=\"_blank\">Anca Florea &#8211; 5 iunie 2012<\/a><\/p>\n<div style=\"text-align: justify;\"><\/div>\n<div><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-485 aligncenter\" title=\"trio-2012\" alt=\"\" src=\"http:\/\/blog.enescu-philharmonic.ro\/wp-content\/uploads\/2012\/08\/trio-2012-300x225.jpg\" width=\"300\" height=\"225\" \/><\/p>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Trebuie s\u0103 recunosc faptul c\u0103, la Ateneu, am ascultat pentru prima oar\u0103 Trio \u201ePro Musica\u201c, alc\u0103tuit \u00eens\u0103 din instrumenti\u015fti binecunoscu\u0163i \u015fi aprecia\u0163i de public, \u00eencep\u00e2nd cu reputatul pianist\u00a0Viniciu Moroianu, al c\u0103rui rafinament \u00een t\u0103lm\u0103cirea muzicii impresioniste s-a reliefat \u00eenc\u0103 o dat\u0103 \u00een interpretarea ciclului\u00a0Estampes, dar \u015fi, \u00een compania clarinetistului\u00a0Cristian Manca\u015f, \u00een\u00a0Rapsodia\u00a0nr. 1, apoi a violoncelistului\u00a0Dan Cavassi, \u00een\u00a0Sonata\u00a0de Debussy, cei doi membri de marc\u0103 ai Filarmonicii bucure\u015ftene demonstr\u00e2nd, la r\u00e2ndul lor, nu doar prin sunetul rotund \u015fi tehnica riguroas\u0103, ci mai ales prin maniera de a c\u00e2nta, dorin\u0163a \u015fi disponibilitatea de aface muzic\u0103 \u00een cel mai bun sens al cuv\u00e2ntului. \u00a0 \u00a0Cei trei instrumenti\u015fti au format, \u00een 2010, un ansamblu \u00eentr-o formul\u0103 mai pu\u0163in \u00eent\u00e2lnit\u0103, dar care le-a permis s\u0103 abordeze, acum, \u015fi opusuri prea pu\u0163in cunoscute la noi \u2013\u00a0Trio patetic\u00a0de Glinka \u015fi\u00a0Trei piese pentru trio\u00a0de Bruch \u2013, cuceritoare prin frumuse\u0163ea \u015fi farmecul lor, p\u0103str\u00e2nd \u00eens\u0103 o tent\u0103 u\u015for nostalgic\u0103, altern\u00e2nd cu\u00a0secven\u0163e virtuoze, deosebit de bine \u201ecombinate\u201c cu lucr\u0103rile din prima parte, dominantele serii fiind astfel transparen\u0163a, linia ampl\u0103, introspec\u0163ia \u015fi fine\u0163ea. \u00a0 \u00a0Aplauzele entuziaste ale celor afla\u0163i \u00een sal\u0103 au fost r\u0103spl\u0103tite cu un bis care a prelungit acea atmosfer\u0103 poetic\u0103, \u00een interpretarea unor muzicieni care, pe l\u00e2ng\u0103 performan\u0163a tehnic\u0103 \u015fi \u015ftiin\u0163a muzicii camerale, au convins c\u0103 se implic\u0103 \u00een ceea ce c\u00e2nt\u0103 cu o pl\u0103cere deosebit\u0103, determinat\u0103 \u015fi de posibilitatea de a aborda un repertoriu aparte \u015fi, cu siguran\u0163\u0103, de bucuria de a ie\u015fi din canoanele zilnice, de a face \u201ealtceva\u201c\u2026 Un trio pe care sper s\u0103-l reascult c\u00e2t de cur\u00e2nd, pentru c\u0103\u2026 merit\u0103! Autor: Anca Florea &#8211; 5 iunie 2012<\/p>\n","protected":false},"author":1,"featured_media":738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[90,115,116,117,118,119,120,121,122],"class_list":["post-483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romana","tag-ateneul-roman","tag-bruch","tag-cristian-mancas","tag-dan-cavassi","tag-debussy","tag-glinka","tag-pro-musica","tag-trio","tag-viniciu-moroianu"],"_links":{"self":[{"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/posts\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":0,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/posts\/483\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/media\/738"}],"wp:attachment":[{"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/media?parent=483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/categories?post=483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundatiaenescu.ro\/ro\/wp-json\/wp\/v2\/tags?post=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}