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Corul Filarmonicii George Enescu – 60 de ani

Diijorul şi pianistul Iosif Ion Prunner conduce, din decembrie 1986, Corul Filarmonicii GEORGE ENESCU. Pentru început, l-am rugat să schiţeze, în cuvinte puţine dar esenţiale, istoria acestui ansamblu.

Corul Filarmonicii s-a înfi inţat la 1 Decembrie 1950, din iniţiativa marelui dirijor Constantin Silvestri, directorul de atunci al instituţiei. Din viaţa muzicală a Bucureştiului lipsea un ansamblu profesionist de mari dimensiuni, care să continue tradiţia Corului “Carmen” şi în acelaşi timp să interpreteze, alături de Orchestra simfonică a Filarmonicii, la un nivel profesionist capodoperele vocale şi vocal-simfonice ale muzicii clasice şi contemporane româneşti şi universale. În cei 60 de ani care au urmat, s-au prezentat sute de lucrări din repertoriul de gen, sub bagheta unor mari dirijori români, de la George Georgescu şi Constantin Silvestri până la Cristian Mandeal şi Horia Andreescu, dar şi a unor invitaţi de marcă precum Igor Markevitch, George Prêtre, Lawrence Foster, Sergiu Comissiona, Ion Marin, Krzysztof Penderecki, Michel Plasson, Sergiu Celibidache …

În istoria Corului Filarmonicii sunt cuprinse mii de minute de înregistrări (Radio, disc, T.V. şi C.D.), turnee în cele mai importante centre muzicale europene, colaborarea cu mari orchestre, printre ele Orchestra de la Balşoi, Filarmonica din München, Orchestra Naţională a Franţei, Orchestra Naţională a Catalonei, Orchestra Arturo Toscanini, Orchestra Festivalului din Varşovia etc.

● Care sunt cele mai importante reuşite ale Corului Filarmonicii în ale aceste şase decenii de activitate concertistică neîntreruptă 
● S-au prezentat sute de lucrări româneşti în primă audiţie, de la oratoriul Tudor Vladimirescu de Gh. Dumitrescu – cu George Georgescu la pupitru, la Recviemul lui Ştefan Niculescu sub bagheta lui H. Andreescu. Momente de neuitat au fost Missa solemnis de Beethoven cu Constantin Silvestri, afl ată pe un disc Electrecord, inregistrarea integrală a lucrărilor cu cor ale lui Enescu cu Cristian Mandeal, pe care le puteţi asculta pe C.D. Am avut de asemenea bucuria ca, împreună cu Corul şi Orchestra simfonică ale Filarmonicii, să oferim publicului bucureştean şi prima audiţie cu Das Klagende Lied de Mahler, Te Deum de Bruckner, motete de Bruckner, Bach, Brahms … Aş dori să mai evoc prezentarea în primă audiţie în România a unor lucrări definitorii pentru muzica secolului XX: Cele 7 porţi ale Ierusalimului de Penderecki, cu autorul la pupitru, Simfonia Psalmilor de Stravinski, Simfonia a III-a şi Missa de  Bernstein. Un moment de neuitat a fost în 1998 realizarea Oedip-ului enescian, în colaborare cu L. Foster şi Orchestra naţională a Franţei. A fost o premieră pentru Corul Filarmonicii. Şi desigur, ar mai fi multe de spus – vorbim doar de o activitate intensă de 60 de ani !

● Filarmonica GEORGE ENESCU a pus întreaga stagiune 2010-2011 sub semnul aniversării Corului.
● Da, şi gestul ne bucură mult. Am încercat să marcăm cei 60 de ani, care au trecut, cu evenimente, artişti şi capodopere, prime audiţii pentru noi şi public, slujind muzica şi pe prietenii ei pe care i-am invitat la Ateneu să asculte, printre altele: Simfonia a III-a de Mahler, Stabat Mater de Dvořák, Oratoriul de Crăciun de Paul Constantinescu, Simfonia Faust de Liszt, Missa în fa de Bruckner, Simfonia a IX-a de Beethoven, Recviemul de Schumann, Recviemul de Brahms, Recviemul de Verdi, Marea Missă de Bruckner, Via Crucis de Liszt, Integrala motetelor de Bach şi Bruckner.

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